Portrait of Harriet Pye Esten, 1804 Etching by Plymer after a miniature by Mackenzie. 2 3/4 x 3 1/2 inches
Publisher Vernor & Hood.
Description Half-length portrait, wearing headdress with jewels. Original in Collection of
University of Illinois Library. [This image is in the public domain because the copyright has expired]
Usually known as Mrs. Esten, this actress does not have an entry in the National Dictionary of Biography although she is mentioned in several contemporary sources, notably Genest's History of the Stage and Jackson's History of the Scottish Stage.
On January. 19, 1790, Esten appeared
at Edinburgh as Juliet. In his History of the Scottish
Stage, John Jackson notes, 'Her reception was as flattering as her most
sanguine expectations could have formed. . . .and
she was adopted by general voice as the theatrical
child of Scotland'.
Contemporary accounts agree that she was a
very attractive woman:
'Though rather small, Mrs. Esten's person is
extremely neat. . . .her face is beautiful, and she
is perfect mistress of the use of a fine pair of eyes.
Her voice, like 'Mrs. Siddons's, is well calculated
for Tragedy, but is not sufficiently feminine for
the gay 'scenes of the comic Muse'.
The European Magazine reports, 'She is rather small in stature, well-made,
with a most eloquent eye and a very expressive
face. Her countenance is handsome, and her
voice clear and articulate'. And Tate Wilkinson notes, 'Of the person of Mrs. Esten we will venture
to say that it is truly captivating ; . . . . blessed
with a set of features uncommonly lovely and
expressive; a voice at once powerful and plaintive, cheerful and mellow, her merit. . . .is nearly
equal in the grave and in the gay'.
Esten appeared under Wilkinson at York on
May 19, 1790, as Monimia in The Orphan.
According to her manager, 'Mrs. Esten's peculiar neatness and elegance
prepossessed the audience in her favour, and she
had not finished her first scene before they, with
one consent, adopted 'the orphan,' and wished
to secure her as their own'.
[Text based on an article by Horace Bleakley in NOTES AND QUERIES: a Medium of Intercommunication for Literary Men, General Readers etc.. TWELFTH SERIES-VOLUME III, JANUARY DECEMBER, 1917. ]
Harriet Pye Esten (nee Bennett) (1765-1865) as Belvidera in 'Venice Preserved' 1791
Etching by Thornthwaite after painting by Samuel DeWilde (1748-1832), 3 1/4 x 4 5/8 inches Publisher J. Bell.
Whole-length portrait, kneeling, holding up large veil with hand, outside of building.. Original in Collection of
University of Illinois Library. [This image is in the public domain because the copyright has expired]
Esten's successes in the provinces made her
ambitious of a London engagement. The first attempt, nevertheless, does not seem
to have been successful: 'Mrs. Esten is not engaged at Drury Lane,'
says The Rambler's Magazine in May, 1789. Jephson was consulted with respect to her performance in Ireland, and a most melancholy
account he gave, 'With her borrowed manner
and her general faintness,' he said, 'she could
only suggest the idea of Mrs. Siddons in a consumption.'
Soon after the York engagement, however,
she achieved her ambition. Jackson [the manager of the Edinburgh
theatre] was sorry to lose her, but Harris's offers
were too advantageous to be refused. Making her first appearance in London at Covent Garden on
October. 20, 1790, as Rosalind in As You Like It.' This seems to have been one of her
most successful roles. Her grace and beauty captivated the
town, and most critics echoed the words of
The World newspaper: 'She looked and
acted divinely.'
Mrs. Esten continued to appear at Covent
Garden, where she attracted large
audiences, until 1794, when she retired. 'She was a very pretty woman,' says
Genest, ' and a good actress.'
In 1803 Esten appeared once more at the
Edinburgh Theatre for a short time, her
salary being £50 a night.
From this time onwards she was much less
noticed by the newspapers, which
suggests that she was leading a quiet and
reputable life. She does not seem to have
returned to the stage again. Michael Kelly
tells how he gave singing lessons at Musselburgh in 1803 to her 'lovely, amiable, and highly accomplished
daughter'.
On October 15th,
1812, Mrs. Esten became the third wife of
Major John Scott-Waring, the indiscreet
agent of Warren Hastings. Soon after the
marriage, Major Scott- Waring moved from
his former residence, Peterborough House,
Fulham, to the house in
Half Moon Street, Piccadilly, where Mrs.
Esten had been living for many years.
The marriage of the famous couple elicited the epigram of doubtful taste: 'Although well known for ages past,
She's not the worse for Waring.'
Except for her connection with the Duke
of Hamilton, to whom she was a faithful
wife in all but name for many years, nothing
appears to be known against her reputation. The spiteful account of her career
in 'The Fashionable Cypriad' (1799), is wholly plagiarized from 'The Secret
History of the Green-Room.' She outlived
Major Scott-Waring, who died at Half Moon
Street on May 5, 1819, by nearly forty-six
years, surviving until April 29, 1865. It
is amazing that a lady whose grandfather
was born in the reign of Charles II. should
be alive two years after the marriage of
Queen Alexandra!
The announcement of
her death appeared in The Times on May 2: 'On April 29, at 36 Queen's Gate Terrace,
Kensington, at a very advanced age, Harriet,
widow of the late Major Scott-Waring,
E.I.C.S.' She is reputed to have been a
hundred years old.
[Text based on an article by Horace Bleakley in NOTES AND QUERIES: a Medium of Intercommunication for Literary Men, General Readers etc.. TWELFTH SERIES-VOLUME III,
JANUARY DECEMBER, 1917.]
Portrait of Harriet Pye Esten (nee Bennett) (1765-1865) 1793 Etching 3 1/8 x 3 3/4 inches. Half-length portrait, wearing dress with ruffles. Original in Collection of
University of Illinois Library. [This image is in the public domain because the copyright has expired]
Esten's second 'marriage'
Mrs Esten made her first appearance in London at Covent Garden on Oct. 20, 1790, as Rosalind in As You Like It. About this period Douglas, 8th Duke
of Hamilton, who a couple of years
previously had quarrelled with his
Duchess in consequence of a notorious
liaison with the wife of a Scottish peer, fell
in love with the new star.
In July, 1789,
the actress and her
husband had executed a deed of separation,
James Esten having sought refuge from
his creditors in France. His deserted
wife was unable to resist the blandishments
of the gay and gallant Duke. Thenceforth she became mistress of his home, and
it was the general belief that if they had
both been able to obtain a divorce he would
have married her.
Soon afterwards Jackson, the Edinburgh manager, fell into
pecuniary difficulties, and sought to obtain
a partner with money. In the midst of his
embarrassments he entered into negotiations
both with Mrs. Esten and Stephen Kemble,
finally accepting the latter as a lessee towards
the end of 1791. The actress, however, was
bent upon obtaining the theatre ; and the
Duke of Hamilton being one of the patentees,
she managed not only to eject Kemble
from his house, but to prevent him from
performing at all in the city. An account
of the dispute, which involved much litigation and caused great excitement at the
time, will be found in the monograph of
Stephen Kemble in the 'Dictionary of National Biography.'
In July 1794 she gave birth to her
daughter, Anne Douglas Hamilton, of whom
the Duke was the father.
Though her theatrical'
career had been so short, she had
become a celebrity, and the numerous
paragraphs concerning her that continued
to appear in the newspapers for many years
subsequently show the public had not
forgotten her.
In 1797 James Esten returned to England from St. Domingo
with a fortune, it is said, of £200,000. and on July 4th of the
same year he obtained a divorce from his
wife in the Consistory Court of the Bishop
of London. His attempt to get the sentence
confirmed by the House of Lords was a
failure, for the Bill to dissolve the marriage
was rejected on March 2, 1798. It was
believed that the Hamilton family influenced
this decision, fearing that if the divorce
took place the Duchess of Hamilton might
follow Mr. Esten's example, and so leave
the Duke free to marry his mistress. According to one
statement they were already divorced by
the law of Scotland. The connection, how
ever, was terminated by the Duke of
Hamilton's death on August 1, 1799. He
had been very generous to her during his
lifetime, and is said to have left her an
annuity of £3,000.
Mrs. Esten was beautiful, talented, and
successful, and her career is surely one of
the most marvellous in theatrical annals.
When she was born George III. was a young
man; at the time of her death Queen
Victoria was a middle-aged lady. When
she was a girl the stage coach occupied
twelve days in travelling from London to
Edinburgh; the railway train did the journey in as many hours when she was an old
woman. It is probable
that she saw Garrick act; it is possible that
she may have seen Henry Irving.