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1. Silk form 1 |
My textile craft practice revolves round
reflection and creative experimentation.
Where I choose to work, the weather's potency is primal. These sources of inspiration and my need to visualize them constantly impacts on my creative practice. The
methods I use are based on traditional textile techniques such as
painting, printing, stitch and collage on fabric and combining these
with digital technology, is allowing me to develop ideas more quickly
and in greater depth than before.
Reflection is integral to my practice,
essential for developing a 'new voice' for my current work. The
outcome of this reflection is an experimental body of work, which
investigates the impact on my creative process over the past twenty
years, of a two-mile daily walk along the Isle of Arran's shoreline.
Through this daily absorption of the its
transitions, moods and physicality, my work has evolved from 2D surface
to 3D form where a new dimension is affecting my creative thought.
By revisiting old techniques, I am
exploring erosion where Time reveals the Human impact on concealed
natural forms. The seaweed thrown up on the tide line after winter storms
often goes unobserved. It is the complexity and resilience of this
shoreline, which I am trying to capture.
By using silk's natural structure of
strength and fragility I am highlighting fundamental qualities of the
shoreline. Its subtle vulnerability acts as a reminder of an essential
natural balance. |
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| 1. |
Silk Form 1, 2007 |
Painted, formed silk habotai |
5ins x 4ins |
| 2. |
Silk Form 2, 2007 |
Painted, formed silk habotai |
4ins x 3ins |
| 3. |
Shibori, 2007 |
Painted
metal and silk with silk habotai. |
36ins x 18ins |
| 4. |
Black Firework,
2005 |
Printed/painted silk satin. |
48ins x 34ins |
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